Pedaltrain Metro 20 Soft Case Backpack

November 27, 2017

I’ve decided to keep my main Pedaltrain pedalboard the Metro 20 but updated to the new soft case with two additional top pockets and Backpack straps to carry the case. The handles are nicely done and placed in good locations. The zippers are better as well as the padding and material used for the case.

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D’Addario EJ45, D’Addario EJ50 Trebles & D’Addario EJ45C G string

November 27, 2017

So after trying various strings for about six months on the Andy Culpepper #83 Spruce Blanca I’ve decided on Medium Tension strings from DAddario the EJ45, EXP45, EJ45C (Only Coffee Colored G String) and EJ49 or EJ50 Black trebles. My preferred choice is the EJ45 with the Composite G.

Sennheiser ew 100p G3 Wirelessly

November 27, 2017

So I’ve tried a few wireless systems out from Sennheiser, Shure, and Line 6. I’ve decided for my purpose which is to be used with the DPA 4099g mic on flamenco guitar I like the Sennheiser ew 100p G3 best. The ease of use TONE and options make it my solution. It so easy to use just turn them on, use a YPA or DPA Sennheiser micro dot adapter to the DPA and plug it in to the transmitter. On the receiver end you can just run it to a XLR input. I use my Bose L1 ToneMatch or a Radial Voco Loco preamp. My DPA and Sennheiser System fit into a nice small case from SKG. To hear the DPA direct and then using the Sennheiser click this link Sennheiser ew100 G3 DPA4099g

Wireless Set up for Flamenco Guitar

November 8, 2017

I just completed my wireless set up for my Andy Culpepper Flamenco Blanca using DPA 4099g Mic with a YPA Sennheiser adapter to the Sennheiser EWD1 Transmitter to the Sennheiser ewD1 Digital Receiver. It then goes to a Radial Engineering Voco-Loco Preamp with eq and effects loop including KoKKoSpace Reverb and DigiTech Jam Man SoloXT looper .  I used the Boss Pedalboard Cable Kit 6 Connectors purchased from Prymaxevintage in NJ eBay too or Prymaxe. Cory F and Steve were great. They have great service.  It all now looks and sounds great to the Bose L1, or speakers.

Sennheiser XS Wireless 2

November 3, 2017

I’m enjoying my initial experience with the Sennheiser XSW2 System with my DPA 4099G to a Radial Engineering Voco Loco Preamp.

DPA 4099G 

October 27, 2017

This is a fantastic mic for my Andy Culpepper Blanca and Lester DeVoe Negra.  I use the Radial Engineering Voco-Loco Preamp with a Kokko Space Reverb. All this goes to a mixer  (FOH) or powered speaker.  I get great results when I use this system and it brings out my true Guitar tone.

Boss RV 500

October 10, 2017

Absolutely one of the best sounding pedal Reverb’s I’ve used to date. I’ve used Strymon, Neunaber, TC Electronic, Electro Harmonix and a few others. The Plate & Hall Reverb are fantastic on nylon strings. Lots of tweeking possibilities. The ability to pull off my pedal-board and use with batteries is s plus for my use. Many of the good reverb pedals on the market don’t have this option. 32bit 96k sampling is an industry high. I’m liking it so far.

Boss AD-10

September 13, 2017

Than-you Josh Estock from Sweetwater for getting it to me and keeping me posted on shipping & delivery.  I am really liking the Boss AD-10 Acoustic Preamp. I have been waiting for some time for the AD-10 to be available. I like the Boss AD-2 as well. But the AD-10 makes it so I don’t need anything else. I can run AC or 6AA batteries for the power. Then adjustable gain in on 1 or 2 channels even 1&2 at the same time. Digital EQ on both channels. Adjustable Low Cut 10-990Hz , Mid adjustable 200Hz-5.0kHz, Treble, Presence, and Level of eq. Anti-Feedback Reduction, 2 notch switches. 3 Types of Acoustic Resonance (Think Aura) kind of. To me it sounds more woody and natural. You can adjust the tonal quality as well. It’s a fully adjustable blend with the pickup. Off, Soft or Hard Compression, 3 Delay effects, 3 Chorus effects, 3 Ambiance/Reverb effects, Boost, 90sec Looper, extra Effects Loop, Tuner, 10 memory Preset Banks. Option for volume pedal or switches. Smaller than a iPad. Just played with the mic and pickup on using a Bose Compact 3 ft away at 97bd w no feedback. Fits perfectly in my SKB iSeries case. I Gig with two nylon string guitars a Andy Culpepper Spruce Blanca Flamenco with a LR Baggs Dual Source Pickup (Element and Mic) I run the Element into input 1 and Mic into 2. I mix the signals at 60%pu and 40mic. I do eq each separately. My other guitar is a Cordoba GK Studio Limited with the Fishman Presus Blend pickup. It’s two sources a undersadle and mic blend. The AD-10 sounds great with the GKSL . For most gigs I see myself bringing the Guitar, Smal Case with Boss AD-10, and Bose L1s or Compact, with a few cables. For gigs with no AC I’ll use same guitars, Boss AD-10 with batteries and a Behringer Europort MPA40BT. Good for outdoor wedding ceremonies or smaller gigs 75-150 people. The Boss AD-10 makes my life very easy. I will try using two Line 6G-30 for wireless functionality soon.

Pedal Boards

September 7, 2017

Some folks have asked about my pedalboard and what I use. 


I basically have 3 systems each has thir purpose.  They are as follows. 

#1 the most.  Its main component is the Grace Design AliX that dose the Gain, EQ, Bost, Effects loop, DI out to get the signal I use s Saturn Works A/B Switcher one signal is wireless A and the other is s cable B into a one line out. This goes to the Grace AliX I do the Gain structure hear and eq the lows and tame 110Hz on High I give 1-2db bost.   I run a tuner the DÁDDARÍO pedal tuner from line out. My effects loop has the KoKKo Space Reverb and Digitech Jam Man Solo XT Looper.  I use this on my 3 giging guitars the Andy Culpepper Blanca with Lr Baggs Dual Source,  JDZ Blanca with LR Baggs and a Cordoba GKSL with Fishman Dual Source.

**Update** 9/7/17 

I wanted to have the Boss AD-2 for gigs without a Pedalboard and to use with Behringer Europort MPA40BT.  So I put the Fishman Aura Nylon on.


#2 Grace BiX to a KoKKo Reverb and a TC Electronic Ditto Looper.  Smaller board and less control but great sound.  Easier to travel with.  I do at time move the Line 6 Wirless over to this pedal board too.  I use this on my 3 giging guitars the Andy Culpepper Blanca with Lr Baggs Dual Source, JDZ Blanca with LR Baggs and a Cordoba 
#3 Boss AD-2 Pedal I use it for locations where there’s not easy access to AC power and for smaller events like weddings, cocktail hour on the beach.   I generally use the pedal with the Behringer Europort MPA40BT battery powered PA speaker.  Generally the Cordoba GKSL is the guitar I use. 

#4 Boss AD-10 When the new AD-10 becomes available I will try the new digital Preamp out.  

Boss Acoustic Preamp AD-2

September 1, 2017

The Boss Acoustic Preamp AD-2 is perfect with Behringer Europort MPA40BT. This is not a traditional preamp with gain and eq knobs like: gain, bass, mid, treble.  It’s spicific to acoustic guitar instruments.  It’s kind of like a Fishman Aura or TC Electronic Body-Rez with a notch filter to control lows if feedback rumble starts.  For me with my LR Baggs Dual Source or Fishman Presus Blend it sounds great.  The Boss AD-2 has just a bit of Reverb not like a hall full wet but enough ambience to get rid of the dry harsh sound. You can run it off 9v or 9v rechargeable which I will be doing or a power supply.   I purchased this one new at Russo’s in Hamilton NJ. 

From Boss “Bring Your Acoustic’s Natural Sound to the Stage
The tone of an acoustic guitar is created by the complex interaction of sounds from its body, top, strings, and other elements. And as you play with varying techniques, dynamics, and more, this interaction constantly evolves to create the rich, woody sound we love. Unfortunately, the standard undersaddle piezo pickups installed on most stage guitars simply can’t reproduce this resonant complexity. The AD-2’s Acoustic Resonance effect solves this issue by analyzing the input signal as you play, and then employing advanced processing to beautifully recreate your guitar’s naturally evolving tone. Twisting the one-knob control adjusts multiple parameters inside the AD-2 to achieve the perfect tonal balance for any style, from delicate fingerpicking to intense strumming.
Enhance Your Guitar with Pro-Quality Reverb
After using Acoustic Resonance to bring back your guitar’s natural, intimate tone, adding some further depth and dimension with a little reverb makes it that much better. With the AD-2’s Ambience effect, you can dial in studio-quality reverb for any performing environment. Unlike standard reverbs that can cloud an acoustic guitar’s sound, the optimized BOSS algorithms in the AD-2 produce lush, deep ambience that perfectly complements your instrument’s voice. Like the Acoustic Resonance effect, a simple one-knob control tweaks many interlocked parameters under the hood, giving you access to a wide range of detailed reverb sounds.
DI Output and Feedback Killer
The AD-2 features two independent outputs for performance flexibility. Connect the Output jack to your acoustic guitar amp or stage monitor, and use the Line Out to send a balanced signal direct to the PA mixer. It’s even possible to turn off the Ambience effect in the Line Out signal, giving the PA engineer the flexibility to add their own reverb at the board. And if you encounter any low-frequency feedback issues on stage, the AD-2’s notch filter has you covered. As soon as you hear that familiar rumble, just turn the Notch knob until it goes away. It’s that easy!”