Archive for the ‘Bose T1 ToneMatch’ Category

Sennheiser ew 100p G3 Wirelessly

November 27, 2017

So I’ve tried a few wireless systems out from Sennheiser, Shure, and Line 6. I’ve decided for my purpose which is to be used with the DPA 4099g mic on flamenco guitar I like the Sennheiser ew 100p G3 best. The ease of use TONE and options make it my solution. It so easy to use just turn them on, use a YPA or DPA Sennheiser micro dot adapter to the DPA and plug it in to the transmitter. On the receiver end you can just run it to a XLR input. I use my Bose L1 ToneMatch or a Radial Voco Loco preamp. My DPA and Sennheiser System fit into a nice small case from SKG. To hear the DPA direct and then using the Sennheiser click this link Sennheiser ew100 G3 DPA4099g

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Wireless Set up for Flamenco Guitar

November 8, 2017

I just completed my wireless set up for my Andy Culpepper Flamenco Blanca using DPA 4099g Mic with a YPA Sennheiser adapter to the Sennheiser EWD1 Transmitter to the Sennheiser ewD1 Digital Receiver. It then goes to a Radial Engineering Voco-Loco Preamp with eq and effects loop including KoKKoSpace Reverb and DigiTech Jam Man SoloXT looper .  I used the Boss Pedalboard Cable Kit 6 Connectors purchased from Prymaxevintage in NJ eBay too or Prymaxe. Cory F and Steve were great. They have great service.  It all now looks and sounds great to the Bose L1, or speakers.

Pedal Boards

September 7, 2017

Some folks have asked about my pedalboard and what I use. 


I basically have 3 systems each has thir purpose.  They are as follows. 

#1 the most.  Its main component is the Grace Design AliX that dose the Gain, EQ, Bost, Effects loop, DI out to get the signal I use s Saturn Works A/B Switcher one signal is wireless A and the other is s cable B into a one line out. This goes to the Grace AliX I do the Gain structure hear and eq the lows and tame 110Hz on High I give 1-2db bost.   I run a tuner the DÁDDARÍO pedal tuner from line out. My effects loop has the KoKKo Space Reverb and Digitech Jam Man Solo XT Looper.  I use this on my 3 giging guitars the Andy Culpepper Blanca with Lr Baggs Dual Source,  JDZ Blanca with LR Baggs and a Cordoba GKSL with Fishman Dual Source.

**Update** 9/7/17 

I wanted to have the Boss AD-2 for gigs without a Pedalboard and to use with Behringer Europort MPA40BT.  So I put the Fishman Aura Nylon on.


#2 Grace BiX to a KoKKo Reverb and a TC Electronic Ditto Looper.  Smaller board and less control but great sound.  Easier to travel with.  I do at time move the Line 6 Wirless over to this pedal board too.  I use this on my 3 giging guitars the Andy Culpepper Blanca with Lr Baggs Dual Source, JDZ Blanca with LR Baggs and a Cordoba 
#3 Boss AD-2 Pedal I use it for locations where there’s not easy access to AC power and for smaller events like weddings, cocktail hour on the beach.   I generally use the pedal with the Behringer Europort MPA40BT battery powered PA speaker.  Generally the Cordoba GKSL is the guitar I use. 

#4 Boss AD-10 When the new AD-10 becomes available I will try the new digital Preamp out.  

DPA 4099 G 

September 11, 2016

I have liked the DPA 4099 G microphone since it came out a few years ago.  The newer model has the cable (micro-dot) terminate and connect at the end of the goose-neck.  There’s also an additional extension available to further comstomize your mic placement.  I have used it so far with a Digidesign 002 Rack and a Bose ToneMatch mixer with great results on both.  The sound clip is direct to the Digidesign 002 Rack no eq or compression just a bit of hall reverb.  The mic sounds great and I thoroughly enjoyed playing with it through the Bose L1 compact.  DPA 4099 Mic Demo  (Just click and you can hear the mic)

New Grace Design AliX pedalboard setup

July 1, 2016

New Pedalboard Layout. One of the best things about Grace Designs AliX is that there’s enough power to power all these pedals and wirless receiver. No messy power supply or extra cables. I run this direct into my mixer, Bose L1 Compact or Bose L1II wB2 sub & ToneMatch mixer, or a powered speaker like QSC K8. Thanks Eben Grace and Team at Grace AliX ROCKS! The board is: Grace AliX, input from Line 6 Relay G30- AliX, from efx loop (TC Electronic HOF Mini-DigiTech JamMan Solo XT w FS3X Switch) back to AliX and out via DI in AliX. All pedals are powered from AliX. The pedal board is the Pedaltrain Metro 20.

L.R. Baggs Dual Source Pickup System

May 10, 2016

I just installed a LR Baggs Dual Source (Element & Mic) on JDZ Negra its fantastic string balance e-E and warm tone, mic can be blended in at 100% with no feedback. This is the best dual source I’ve come across so far. No cutting sides, adjustable low cut on mic from 100-2K, Phase Switch, Pickup Gain Selector, and so easy to switch between mono and stereo out. I have thus system installed in two of my guitars. With the Bose L1 systems and Bose ToneMatch Mixer (L.R Baggs Element Preset) I have a great gig rig.




Gig Rig Update  Bose L1 Compact & ToneMatch

December 15, 2015

     So for the last two years I’ve had some serious asthma problems.  Now under control. However I’ve started to play a lot of solo gigs private party’s , weddings, cocktail hour… and I’m loving it.  I wanted to have somthing smaller than my former band rigs, speakers, monitors, power amps, snakes, racks of gear, mixer etc.  So a few months ago my wife took a risk and purchased the Bose L1 Compact, I thought it was a joke.  I could not have been more wrong.  It sounds great I’ve done 10+ gigs with it and have only had complements on how good it sounds.   I really like when I’m driving home and I’m no sore or exhausted from setting up or tearing town. 

   So this setup sounds amazing, sets up in less than 2 min and is so easy on the back. I use the preset for the LR Baggs Element pickup.  I’m using the LR Baggs Dule Source preamp which is the Element and Mic.  I rool off to about 1K or around there for the mic and below that the pickup dose the work.  In the Tone Match I have it set pretty much flat and if I do get low end feedback I have the Para EQ set at Level -2-6db, Freq A# 117Hz, With 1.00oct.  And then a bit of the Large reverb. Time 2.20 Bal 50% Mix 30% Bright 50% and then a TR cable from Tone Match to Compact on Flat TR input (not mic chanel). Turn in on and I’m good to go.  With the ToneMatch mixer you have 4 mic inputs 3 on Tone Match w phantom power and 1 on Bose Compact no phantom power just high and bass Eq.  And on compact you have a 1/8 TRS for iPod and play back so in essence you have 6 channels.  

  

  

  

  

Sennheiser ewD1 (Love It) with DPA 4099G  See Update Below

March 29, 2015

I wanted to try going digital with the DPA 4099G mic,  I was using the Shure ULXS4 and ULX1, wich sounded good but if you taped the antenna it made werid nose as well as a few other sounds.  The Sennheiser is quiet and easy to use.  The best part was I took the reciver and body pack out of the case and hooked it up to my Bose ToneMatch (Nylon String w/Condensor preset), hooked up the DPA 4099G with the mico dot DAD6034 adapter, and turned it on and ***Presto*** it was all on set up and worked perfect.  I did not need to adjust a thing and had beautiful rich thick warm tone with no sound degradation or tone loss.  Beautifully done Sennhieser.  Best system I’ve used to date. For my main purpose it to play Flamenco/Spanish style nylon string guitar with out a pickup and have an easy set up (less than 5 min).  I will use the DPA 4099G mic primarily on my Lester Devoe Negra or Zofia Blanca.  Two great Flameco guitars.  I wanted to have the freedom to move around on stage or in venues and sit in different spots and not be tied to one location to perform.  This makes that possible and the sound is really excellent as well as ease of use.   If you need a  Wirless system solution for guitar the DPA 4099 and Sennheiser EW D1 is worth checking out.  I do about 100 shows a year.  I will be giging with it later today for the first time so I will post more later. 

5/29/15 – Update Upon a few times playing live the system would drop out and make strange noisiest so I sent the system back and decided to use the DPA with a hard wire connection. 

   
 

Pursuit of perfection in nylon guitar sound and tone is a passion.  

March 2, 2015

  
A few folks who read my blog and follow me hear or on FB have asked what I use and like.  When you demand the best out of your instrument and gear you try so many things and it can be a long never ending journey.  For me it’s taken some years.  I would like to say I’ve found what works for me and let’s me play what I hear and feel.  My Luithier & guitar of choice is the Jorge De Zofia Cedar Top Blanca.  I like her more than other guitars I own.  This is for live use.  I hope to be getting a Negra soon (hint hint Jorge) from there if you play loud or need to be amplified there is only one choice.  I really like my DPA 4099g and Grace Felix Preamp. I have to thank a few folks before I can even mention the system.  Thank you  Al Marconi, Jason McGuire for telling me about the LR Baggs Dual Source Elemnt and mic.  Gerald Rohm who has been so kind. He’s a mechanical genius who has invented a fantastic tool for getting saddles perfectly flat to work wonderfully with pickups.  He also designed a fantastic cable for use with the system that takes a TRS Jack and then splits the cable to two TS jacks.   It’s the best sounding cable I’ve ever used.  I use the D’Addario EJ25B and EJ45C strings.  Thank you Yannaki Arrizza for getting me to try new stings😎.  Finally everything usually goes to my QSC TouchMix8 and QSC K10’s or Bose L1S and ToneMatch mixer.  Thanks to Arturo Romay, Taz Sellers, John Gilliat  for sharing techniques on amplification and how to use this gear and sound great.  There’s no way I would have the sound I do with out the help and people above who have a passion and desire for perfection, who have shared what they know.  Thank you Victor 

   
    
 

DPA 4099G Still Mic For Me Live

February 19, 2015

For me my microphone of choice when playing live is the DPA 4099G when I play my Lester Devoe Flamenco Negra. I have used it with the Bose L1 S system with great results only needing to cut a few decibels on the bass (4-6db) for live playability without feedback.

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